In the Distributors category...

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Figures for the first weekend of release of Dragon Ball Z: Battle of the Gods in Japan were disclosed last Monday. They bring up optimism for its further theatrical run around the world: in only two days, it grossed 4.6 million pounds (683 million yen) on 328 screens. The movie is ranked first among the non-Hollywood movies, 5th in total. 561,000 fans came to see that first animated movie, first one considered legitimate in 17 years.

The movie is distributed by 20th Century Fox, same studio that released Dragon Ball: Evolution, which was a complete failure at 2009’s box office. It seems they have learnt from their mistakes, and it targets a reasonable 3 billion yens (20 million pounds) for its overall Japanese theatrical run. 2013 is bright for Toei Animation whose One Piece Film Z, released on Dec. 15 2012, had grossed 9.2 million pounds (1.37 billion yens) in its first weekend.

A U.S. release has been confirmed on Toonami’s Facebook page, which specified that Funimation (the home entertainment rights holder) would dub the movie in English only within two years. No date has been specified for the UK, but as we mentioned a previous article quoting Third Windows Films’ Adam Torel, the market is tough for Japanese films. However, DBZ might be exception as an internationally successful franchise. I remember myself playing the video game at my Irish host family more than ten years ago – to tell how deeply rooted it is in the islands’ culture.

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CCTV6 and Jiaflix board Transformers 4

Saturday, 6 April, 2013

As announced a few days ago, two major Chinese partners have joined the production of the fourth installment of the Transformers franchise. They are CCTV6, the Chinese Movie Channel of the national broadcaster, through its VoD platform M1905.com and Jiaflix, its exclusive content providers for Europe and the U.S.

Paramount Pictures has by this mean succeeded in establishing a cooperation agreement for Transformers 4, to be directed by Michael Bay, through which its Chinese partners require some scenes shot in China, inclusion of Chinese actors and possibly post-production by local company.

The two players will invest consequently hoping to get a proportional share in the box office revenues. A coproduction agreement shall be possible further down. A theatrical release has been announced for June 24, 2014 – both in China and the United States.

An output deal was already in place between Paramount and Jiaflix/M1905.com with 250 motion pictures provided so far. Previous installments of Transformers also included some Chinese locations and product placement by Chinese brands. But this time, collaboration goes beyond the “simple” branded entertainment.

After Looper (released on Sept. 28, 2012) and Iron Man 3 (to be released on May 3, 2013 in China and the U.S.), Transformers 4 is the third blockbuster movie to source additional financing from Chinese partners. Except, this time, DMG Entertainment has not been involved.

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Is this the future?

Wednesday, 16 January, 2013

Seems bad news travels fast. Everyone’s here looking for a bargain. HMV hasn’t been this busy for a long time. Not in the run up to Christmas, nor the post-Christmas sales. But that’s the point. The irony is that the current blue cross sale started last week. Nothing has changed. Except, that is, that HMV has gone into administration…

The news is hardly surprising. Only a few years ago HMV peeled back it’s operations reducing its physical presence greatly; attempting to reinvent itself, slightly, as an electronic store, giving over much of it’s floor space to iPhone speakers and BeatsByDre headphones. Before that it bought out the failing Fopp stores when they overreached themselves, co-opting their “stack ‘em high, sell ‘em cheap” ethos. Neither worked.

HMV may have had a high percentage of the physical CD sales, but it was the last brick in the physical world of chain home entertainment retailers. As sales moved online to downloads and online sales of movies and music, exactly how could a real, bricks ‘n’ mortar store compete? Especially when not only rivals like Amazon and Play.com, but even the brands own online presence beats in store prices, and delivered to your door nonetheless.

Whatever happens next, it’s still a real shame for the last real high street chain for music and video. And worrying news for all the nearly 4,500 strong staff in stores around the UK. But I can’t help but wonder what this means for smaller DVD distributors now as well, particularly in Asian film. So many are still fixated on actual physical products in an increasing virtual world, often due to licensing constraints and overheads, yet surely now isn’t it time to look beyond that to download and streaming services?

Sure, we might have stopped looking in HMV a long time ago… But for many physical products are things of the past. There might be some of us who’d still rather have a physical item, much to the detriment of our partners who despair watching that ever growing pile of films mounting up that we never seem to get round to watching. But for many, downloads have become the way forward, and to ignore that is a perilous road.

The largest proper ‘indie’ distributor, Cine-Asia, has been all-but ripped asunder by investing in promoting itself to supermarkets – a move that Steve Rivers thought would save the label with ever-diminishing high street outlets – when returns of unsold copies allegedly pushed them into the red.

There are a few distributor labels that have been able to make it work. Examples like Masters Of Cinema spring to mind, who’ve been able to capitalise on making their editions of films some of the best in the world, a new Criterion Collection if you will. Yet however successful these labels appear to be, it’s worth remembering just low those profit margins are, like so many of our high street retailers.

And I really don’t want to lose any more…

UPDATE: Within hours of publishing this article, another timely indicator of the changing ways in which we interact with films and home entertainment came with the news that Blockbuster has also gone into administration.

UPDATE #2 (28/01/13): Slightly less well publicised was the closure of Jersey-based retailer Play.com. Recently bought out by Japanese retailer Rakuten, has also ceased it’s direct retail arm, becoming a ‘marketplace’ instead; putting over 200 employees out of work. A recent article in The Guardian lays out the implications for independent cinema retailers in the UK.

Third Window Films releases in 2013

Thursday, 27 December, 2012

Looks like it’s going to be another strong year of releases from UK distributor Third Window… (more…)

Could this be the end of Cine-Asia?

Monday, 3 December, 2012

Last week the sad news started circulating that UK distribution company Showbox Media Group had been put into administration by owners Steve Rivers and David Hodgins.

As most UK Asian film fans are aware, Showbox is home to the much-loved Cine-Asia label, responsible for bringing quality releases of Asian films to the UK market, including Benny Chan’s Shaolin, Jang Hoon’s The Front Line, Kim Han-min’s War Of The Arrows, and many, many Jackie Chan films. But of late, both Cine-Asia and the parent label have been pretty quiet, suggesting something might be amiss…

What had become at one point a monthly new release had slowed right down to barely a handful over the year, with David and Steve concentrating on their reissues of Hong Kong Legends releases – the label they previous set up, now owned by eOne, aka Entertainment One. (An interesting agreement that allowed them to effectively repackage and reprint those films with the ‘Cine-Asia presents’ labelling, though eOne still actually own the films – and I’m guessing much of the profit?)

Recently their main PR person left the company, leaving the parent Showbox website a work in progress and Cine-Asia – and its Facebook and Twitter imprints – rarely touched since August. Though even that can hardly explain the lack of fanfare for Cine-Asia’s latest release, which happens to be the currently be the highest grossing domestic film in China ever – Painted Skin: The Resurrection! But yes, you might have missed it like I did due to another example of utterly bizarre UK retitling: Demon Hunter: The Resurrection. (I know! Even the cover artwork ignores all previous advertising using Zhao Wei and Zhou Xun for lead bloke Chen Zen.)

Steve and David have blamed the collapse on a “tsunami” of supermarket returns – when unsold products are returned on mass. There’s more than a little bitter irony that it was obvious that when we spoke some 18 months ago, Steve Rivers thought that supermarkets were the way forward, in the wake of the collapse of high street retailers like Zavvi and much-reduced presence of HMV. Indeed, it should not go unmentioned that at that point they were (and probably still are) the only independent label to get such promotions into supermarkets on the level they did – it’s just sad that it seem to have backfired.

Proof of how difficult it is to sustain a small, independent label in the current economic climate, I’ve no doubt that last year’s Sony Warehouse fire only exacerbated the situation. Let’s hope Steve and David manage to come up with a plan to save Cine-Asia…

Steve declined the offer to make a statement now, but plans to in the New Year.

Teracotta touring festival at Genesis, London

Terracotta Far East Film Festival bring their touring programme to the Genesis Cinema throughout October, and we’ve got a pair of tickets for each screening to give away!… (more…)

Kim Ki-duk’s victory at Venice Film Festival took everyone by surprise. Not least the Guardian who managed to report that Paul Thomas Anderson’s much-anticipated The Master took the Golden Lion jury prize, not Pieta. A real triumph for the underdog in filmmaking, but that’s only part of the story…

Box Office takings took a sharp rise in the wake of Pieta’s Golden Lion success, with Korean audiences naturally proud for Kim’s success, but as Song Ho-jin of The Hankyoreh reported, there’s still a long way to go when it comes to support of non-commercial and independent projects in Korea.

If anything, the recent Year of 12 Directors events organised by the KCCUK have only highlighted that the situation is getting worse. Directors are finding it more difficult to gain funding, and having to take much more commercial work just to be able to make films.

The artistic value of many of these projects is becoming more negligible, as the investor-driven inclusion of supposed ‘safe’, ‘crowd-pleasing’ inclusions increasingly becomes a checklist as unimaginative as mainstream Hollywood. Kim Ki-duk used profits his production company made on Poongsan – a film he wrote which cut just the right line between commercial action with intelligent satire to make it much more palatable than most – to fund Pieta. Song Ho-jin’s article explained how even then production funds ran to a pittance – 150 million won, not even enough to pay the main actors – with the crew agreeing to take a percentage on profits instead.

The bottom line is that, as in much of the rest of the world, audiences don’t necessarily rush out to see challenging or an offbeat movie, which means distributors are less likely to even offer them the chance to see them in the first place.

Hardly surprising that so many Korean directors are cutting their loses and heading to the US instead. The list currently includes Park Chan-wook (Stoker), Kim Jee-woon (The Last Stand), John H. Lee (The Killer) and Bong Joon-ho (Snowpiercer), but is growing everyday.

Perhaps renewed interest in directors like Kim Ki-duk will help turn things around, but I can’t help feeling we’re losing one of the greatest and most inventive film scenes on the planet…

Panty recall

Thursday, 30 August, 2012

On our review of Panty & Stocking with Garterbelt we reported a problem with the last disc of the set. It now appears to have been a wider problem. Manga Entertainment is recalling the discs to reissue the disc set on 10 September, with an opportunity to replace those that have already been bought. If you have bought one of the affected discs head to Manga Entertainment’s website for details of a refund or replacement.

Third Window films announced last week that they will suspend theatrical releases for the foreseeable future after the low bow office of Himizu and Villain. In a candid open letter to Twitch, managing director Adam Torel explained his reasons for doing so, and just the sort of problems faced by independent distributors in the UK.

Sad news for UK Asian fans, particularly as this will effect Adam’s ability to negotiate release deals for bigger films from Japan as they demand even DVD and Blu-Rays are accompanied by a cinema release.

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With Mitsuko Delivers hitting UK screens this Friday, seems like a good time to rundown some of the very exciting releases Third Window Films have coming up…

There’s hardly moments rest with the DVD release of Keralino Sandrovich’s Crime or Punishment?!? on DVD Monday 14 May. Sandrovich worked with Miki Satoshi (Adrift in Tokyo, Turtles are Surprisingly Fast Swimmers) on the comedy TV show Jikou Keisatsu. (Monday also sees the next Asian Movies Meetup Group, where this month the Secret Japanese Movie Meetup also turns Third Window Anniversary Party.)

Of course all eyes will be on the UK theatrical release of Himizu, the award-winning film from Japanese director Sion Sono, which opens on 1 June. Like Cold Fish, it stars the rather lovely Denden in a supporting role. Sono’s epic Love Exposure will also be released on Blu-ray on 6 August. (Meaning you’ll be able to watch all four hours in one go without swapping discs!)

The really exciting news came that Third Window have acquired Shinya Tsukamoto’s Tetsuo: The Iron man and Tetsuo 2: Body Hammer for Blu-ray release to accompany their DVD & Blu-ray release of his latest film Kotoko in late September/October.

They’ve also acquired Sogo Ishii’s first film in ten years, Isn’t Anyone Alive? From a director who has been bringing us strange and surreal films for 30 years such as Burst City, Crazy Thunder Road, Crazy Family, Angel Dust and Electric Dragon 80000V it stars Himizu‘s Shota Sometani.

Wow! It’s shaping up for one hell of a year for Third Window…

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Terracotta Festival full programme

Monday, 2 April, 2012

The full programme for the 4th annual has been released and once again it’s shaping up to be an outstanding festival with plenty of UK premieres, Q&As, masterclasses, and – of course – those parties… (more…)

Big thanks to all those of you who entered our Shaolin DVD competition. There were over 215 entries in all! Unfortunately we only have three copies of Benny Chan‘s awesome Shaolin to give away, and for those randomly picked winners your DVD will be on it’s way soon!

Shaolin, starring Asian superstars Andy Lau, Nicholas Tse and Jackie Chan, is released on DVD and Blu-ray by Cine-Asia today. Cine-Asia is also bringing back their mega-sale today, with the entire DVD and Blu-ray catalogue  available through online stockists and HMV and selected titles will be available through Asda, Blockbuster, Morrisons, Sainsburys and Tesco. DVD’s will be available from £5 and Blu-ray’s from as little as £7, with new titles added to the sale including Ip Man 2, 71-Into The Fire, Young Bruce Lee, Woochi: The Demon Slayer and Detective Dee: Mystery of the Phantom Flame.

Respected UK-based Asian film label Terracotta are launching a new horror imprint under the appropriate title ‘Terror-cotta’. The first release will be Yoon Hong-Seung’s Korean high-school horror Death Bell.

Formally a music video director described as South Korea’s answer to Michel Gondry and Spike Jonze, Yoon Hong-Seung’s (aka Chang) debut film concerns a group of students at an elite high-school who get locked-in and forced into a series of sadistic games and quizzes where one student will die in a gruesome manner for each incorrect answer.

Theatrical and DVD rights for the film were acquired by Terracotta Distribution from Mirovision and Death Bell will be out on DVD October 10th with theatrical releases at selected cinemas and horror festivals to coincide with Halloween.

Yep, the legendary label is back from today, starting with Fist Of Fury, Prodigal Son, Ong-Bak and Warrior King

From today Hong Kong Legends titles will be reissued by Cine-Asia under their banner as ‘Cine-Asia presents…’. Steve Rivers, who launched the HKL label originally, now executive director of Cine-Asia parent company Showbox Media was very excited, stating: ‘It’s fantastic to have these films come round again, because we enjoyed them, and we’re passionate about them. We’re hoping new fans to the Jackie Chan films since he’s been in Hollywood, and to films that we’ve put out, like Little Big Soldier and Robin-B-Hood. We hope that these releases will compliment our own, for instance those interested in the recent release of Young Bruce Lee will now be able to enjoy Bruce’s original films.

Steve stressed that because of the agreement with eOne — who actually own these titles and rights to distribution in the UK since they bought the HKL label originally when they were called Contender — the distinction being that the ‘presents…’ tag means the content is the same as has previously been released. These versions will not include any additional or new content.

The line-up starts with Bruce Lee’s Fist Of Fury, Sammo Hung’s cult classic The Prodigal Son, and two from Tony Jaa, Ong-Bak and The Warrior King. The next batch on 1 August includes a bumper stash of Jackie Chan with Police Story, Police Story 2 and the thoroughly unconnected New Police Story. There’s more Chan on the 22 August with Heart Of Dragon, Dragons Forever and Dragon Lord, as well as Bruce Lee’s Way Of The Dragon. Release dates are a little sketchy after that, but further releases include the 2-disc ultimate edition of Yuen Woo-Ping’s outstanding collaboration with star Donnie Yen, Iron Monkey on 26 September.

Our full interview with Steve — a rather enlightening look behind the scenes at one of the UK’s foremost Asian labels — will be published later this week…

Hong Kong Legends, back in stores!

Wednesday, 22 June, 2011

Once upon a time a British label released classic Hong Kong films on DVD the way we’d always wanted to see them. Spruced up, restored, original language and bucket loads of extras! This pioneering label made an international name for itself remastering and reissuing old Jackie Chan, Bruce Lee and other classic kung fu flicks.

Thoroughly spoilt we thought those blissful days would never end. But they did, when the label folded at the beginning of 2008.

(But then Steve Rivers, who founded Hong Kong Legends in the first place – and sold it to Contender – started up Cine-Asia, and that soon became just what we’d been missing, especially over the last 18 months!)

And now Steve’s got his mitts on the films released on the HKL label once again, as Cine-Asia start to reissue them once again – giving those of us who remember the label a chance to catch-up on titles we missed, and newbies a chance to catch-up full stop.

The schedule starts from 4th July, with the Bruce Lee classic Fist Of Fury, Sammo Hung classic The Prodigal Son and Tony Jaa’s Ong-Bak (yay!) and Warrior King aka Tom yum goong (er, not quite so yay!).

And we’ll be bringing you a fascinating insight into the Cine-Asia label soon. (Honest Steve & Louise, I will get round to it!)

The end of HKFlix.com

Tuesday, 10 May, 2011

It’s with great sadness I discovered that online retailer HKFlix.com is no more. Though we had somewhat distanced ourselves from them in recent years, mainly due to concentrating on UK based releases, they were our first retailer affiliate connection and in some ways much of the reason there is an easternKicks at all!

Back when I started easternKicks.com, they were the first retailer we approached, dreaming the impossible dream of ‘monetizing’ the site. (Lesson to those planning to do the same: do it for the passion, not the money!) At the time they had the best range of products, and were often a regular stop for my own purchases.

One of the first online retailers to to truly breakdown global borders and offer Asian and martial art releases to the world, but ultimately they couldn’t compete with the might of Amazon or Netfilx, nor the product range of Yes Asia. They folded in March this year.

The original co-founder wrote quite an impassioned letter on CityOnFire.com, explaining how he set up the company, how he eventually parted with it in October 2009 and how disappointed he became with how the company was run afterwards.

A sad day indeed…